Recordings

Software Monopolies and Open Source

Danese Cooper

 “And so they decided – because they could – to write their own world!”

Danese Cooper, board member of the Open Source Initiative, gives a short introduction about the relationship between software companies, software patents and the concept of Open Source.

Software Monopolies and Open Source Pt. II

Danese Cooper

So it used to be if you joined the patent consortium and you’re helping to set a standard, you could basically print money.”

Danese Cooper, board member of the Open Source Initiative, gives a short introduction about the relationship between software companies, software patents and the concept of Open Source.

'Excuse me' by - delta t, 1984

Minus Delta T

- delta t (Minus Delta t) has been - and still, in variants, is - a group of artists who created seminal works in performance and media art since 1978. Early members included Bernhard Müller, Mike Hentz and Karel Dudesek as well as Chrislo Haas or Gerard Couty. Aiming to initiate a processual and participatory form of art, many of them would re-join their expertise to develop emancipatory structures and novel modes of using new media technology for art experiments. The Iron Curtain had just fallen when in 1992, the “Piazza Virtuale” project connected 17 studios on three continents over satellite from its headquarter, hosted in containers in central Germany.

de: Die Gruppe verfolgte einen prozeßhaften und partizipatorischen Kunstbegriff, der zunehmend den emanzipatorischen Gebrauch der Medien umfasste. Ihr wichtigstes Projekt war Anfang der achtziger Jahre das »Bangkok Projekt« – es wurde ein Felsblock auf dem Landweg bis nach Bangkok transportiert, um Ereignisse im öffentlichen Raum auszulösen. Ab Mitte der achtziger Jahre begann Minus Delta t, sich umzuorientieren, die Medien wurden immer mehr als der zentrale Ansatzpunkt für eine Kunst, die einen...

Keywords: Minus Delta T, music;

To be an artist but not noticed as an artist

Marcel Duchamp

In the early years of his career, Marcel Duchamp set out to revolutionize the art world: he invented the ready-made and declared art to be dead. In doing so, he did not only shock the audience, he also alienated many of his fellow artists - including the French cubists and those he deemed to be ‘optical’ painters who only seek to please, like Matisse. By the 1960s, when Joan Bakewell interviewed him for the BBC, Duchamp had become a legend who inspired the young artists of the time, especially those involved in Pop Art.

In the interview, Duchamp talks about his attitude towards his own work as well as about distancing himself from groups and artistic movements alike to follow his vision, and boredom as a strategy to attract a public after shocking the audience became impossible.

Keywords: Marcel Duchamp